![tabledit the doors tabledit the doors](https://i.pinimg.com/originals/8e/ca/5d/8eca5d1262eec89132bef3ffd1b3fd1c.jpg)
On the other hand, if the side port is simply to facilitate allowing you to hear yourself play over other instruments, it should help at least a little.Īnd, side ports are wonderful regarding being able to see, setup and maintain the inside of your instrument. Doors-accordions do not only of a tree, but also plastic. So if your goal is to specifically judge and perhaps adjust the tone and volume of the instrument based on what you hear coming out of the side port, you may find that the audience hears something different than you do. The.dat files furnished with TablEdit contain 16 instrument definitions, eight accordions and. I've also done tone and volume experiments on a 1923 Gibson trap-door mandolin banjo that I used to own, and I found the same thing. On my double bass, the tone and volume from the side port is a lot more hollow and boomy than the tone that comes from the front of the instrument, and I'd expect that to be a similar situation, scaled down for a guitar or mandolin. To help manage your expectations, it's worth mentioning that tone and volume coming out of a side port on an instrument may not be exactly the same tone and volume that the audience hears coming out of the front of the instrument. The port was primarily put there for inside setup and repair access, but I do use it for monitoring, often, in primarily acoustic situations. I have one on my Alcoa double bass, in the driver-side C. Old Man And The Door: Version 1: Old Man River: Version 1: Old Molly Hare: Version 1: Version 2: Old Mountain Dew: Version 1: Old North State: Version 1: Old Rosin The Bow: Version 1: Old Rugged Cross: Version 1: Old Town Band: Version 1: Old Woman: Version 1: Omega: Version 1: Omie Wise: Version 1: On A Bridge In Campbell County Hd: Version 1.